For the compressor itself, you’ve got a threshold, ratio, which goes into Limiter territory with a maximum possible ratio of 20:1, attack, which goes pretty fast for a vintage compressor (0.1ms), and release which can go all the way up to 150 ms. Next is the Vintage Compressor, which again, sounds very nice! it features a detection filter, before actually hitting the compressor itself which is very useful if you have a very powerful low end. Vintage Compressor Vintage Compressor Module Vintage Tape module is available only with the “Advanced” version of iZotope Ozone 7 mastering software. The Vintage Tape sounds awesome! It adds saturation, compression, and character, you can select between 15 or 30 ips speed, change the input drive and bias, add harmonic exciter, and control the low and high emphasis regardless of the tape speed. I mean, it’s not as clinical as the EQ module, of course, cause you’ve got fixed bands, but, it’s incredibly warm, for sure, it doesn’t have as much character as a real Pultec, or as the UAD emulation, but it will bring warm, especially in the low end.
The Vintage EQ, it’s based on a Pultec and it sounds very warm indeed. This new IRC, has three options: Classic, Modern, and Transient, and I believe this last mode is especially cool for not “taming” transients that much, as opposed to the modern mode. So, let’s talk about new stuff! Maximizer Module Maximizer Moduleįrom the old modules, the only thing that’s quite new and awesome is the Maximizer Module with the inclusion of a new IRC (intelligent release control), the IRC IV which, to my ears has some more clarity, especially in the bottom end. ModulesĪs I’ve reviewed Ozone 6 like a year ago, I’m not gonna get into details of what hasn’t changed.
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So, hey, if you are mastering in-the-box, you don’t need any other software for any reason.
Just brilliant.Īnother brilliant idea is that in standalone mode, iZotope lets Ozone users use third-party plugins, both in VST and AU, and if that’s not enough for you to use it as stand-alone, now, you can add multiple tracks at once. Let’s say you are mastering a song for YouTube or Spotify or whatever streaming service, and you can immediately hear as it would sound after being converted to a more compressed format, so, that way, you can make some mastering decisions in order to make a better product with no need to go back and forth. The master and monitor section of the plugin has also some new features, like the fact you can preview ACC and MP3 compression at different bit rates, which I have to say is brilliant. Speaking of new, there are four new modules: the Vintage EQ, Vintage Compressor, and Vintage Limiter. On this version, there are ten different modules, the well known EQ, the fantastic exciter (I’ve used on every mastering job I’ve done for the last five or six years), the Dynamic EQ which debuted on version 6, the “imager”, which I love, the multiband Dynamics and the Maximizer, which has some new features. The interface looks very similar to the one on Ozone 6, very polished and pro.
IZotope intros Ozone 7, their newest version of its very well known mastering suite (and standalone app since Ozone 6), featuring some very nice improvements, new modules, and the addition of some clever functionality that will make Ozone 7 the only thing you will probably need for in-the-box mastering.
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